Hello Robot!

Looking back at past projects I completely forgot how tedious my process can be sometimes, especially when I need to depict a light source just right, an emotion just right. I’ll never get anything just right. It’s more like “good enough for now” or “well the viewer will understand this image just enough I hope.”

I hope that in this particular image process that I’m about to share, the viewer will understand the story of Hello Robot in one image.

The story of Hello Robot is very incomplete. I have the images but I can’t seem to get the manuscript “just right” or even “good enough for now” because the reader wont understand the story just enough. Words just can’t describe the way I feel about Hello Robot so maybe light and emotion will.

I’ll start you off by introducing Hello Robot, or Bucket, here.

robosts.jpg attic2colorsketch.jpg

My process for a completed image always begins with character development. I need to know the character before I can accurately create an image of them. Getting to know the character is the longest part of the process, I mean it takes a while to get to know someone properly, right?

Now on to the image which I hope the viewer will understand that is the peak show of character for Bucket here. I first start with a thumbnail and then a detailed sketch like this:

attic.jpg

Here I don’t have the lighting quite right but I have the shapes down. The lighting is very important for the entire story but especially this image. You might be able to see why in a bit.

I’ll go on to several color sketches. Depending on the final product, if I work traditionally then I’ll do digital sketches, if I work digitally I’ll do traditional color sketches like these.

atticcolorsketch.jpghellorobotwatercolor.jpg

I’m starting to figure it out in the first color sketch and by the second sketch I know what I have to do in order for the emotion and the light to bring about proof of character and peak story arch.

justfordummy copy.jpg

Here I’m finally on the digital. This image is about half way, but I can see the light at the end of the tunnel. I did not track all my process with the digital piece. I never do! Maybe I should do this is the future.

justfordummy1 copy.jpg

And there you have it, the final! Okay so I went on about light and emotion and stuff for a bit. Light to me can have a bunch of different meanings but the core meaning for me is spiritual. Here Bucket is leaving the light from below to explore the darkness above, an attic. He must do this to complete his exploration of the house to find someone to say “Hello” to that will say “Hello” back. He doesn’t find a hello in the darkness but he does find something else.

Sounds kind of spooky when I put it that way.

Do you understand his emotion? Do you get the “well the viewer will understand this image just enough I hope.”

Hello Robot is a whole story about exploring shadows and saving light sources. but...28_29.jpgUGGGGG 14.jpegbw5 copy 2.jpgcomplete? copy 2.jpg

 

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Portfolio Prep 2, Multiple Styles

Having multiple styles in a portfolio is a blessing and a curse.

Sure this can indicate that you are versatile with medium/material and yeah this also means that you can illustrate different genres too and that’s fun.

However most publishers/agents/whoever you are showing your portfolio to doesn’t want to see too many styles. They want to know what they’re paying for. Consistency and an organized portfolio is the key to multiple styles.

Consistency in multiple styles? What I mean is make sure you can pop out that particular style anytime. Eliza Wheeler had a similar problem but she ended up owning those styles with a beautiful, prize winning portfolio awhile back.

Here are a few styles that I’ll have in my portfolio:

justfordummy1 copy.jpg

smokesposter copy.jpg

 

UGGGGG 25 copy.jpg

 

They are each pretty different huh?  The first piece is digital and I tend to work obsessively over details when I work digitally. The middle is watercolor with photo reference, with some composition and color changes, of my cat. The next one is in watercolor as well however it’s more from imagination. I tend to want LESS with watercolor.

 

UGGGGG.jpeg

 

Even with my black and white I can still see that I apply a similar “paint” texture. And my shapes and drawing stays the same.

 

 

 

Ultimately I think it’s how you place each style next to each other that will make all the difference. Tell a story with your pieces. Use one piece to progress to another. Or if you are working to illustrate multiple genres split the styles completely in a creative way, that’s what one of my critique members did.

Just for laughs, here is one of my “older” styles…

rock copy.jpg

Yeah, I’ll be having that in a separate portfolio haha.

 

 

 

 

 

 

 

 

 

Colors are Friends

imageRight now, I’m editing my life away.

Well, not really, but it sure does feel like it. Does anyone out there have a good editing tool that they use?

My editing tool at this time is color, though I feel like color finds its meaning in my life multiple ways, like personality,  represents certain concepts (I think of a character color before I think of what they look like) so this also helps me edit.

Red: take out silly! I’m actually very salty with you.

Blue: I like this, perhaps think this over.

Orange: you need to decide what you want to do with this…I can’t for you.

yellow: icky buuuuuut there’s something important to say here.

I know there are many ways to edit, but highlighting a manuscript in different colors seems to suit me. Anyone else?

Also, just edited myself right now XD