Hello Robot!

Looking back at past projects I completely forgot how tedious my process can be sometimes, especially when I need to depict a light source just right, an emotion just right. I’ll never get anything just right. It’s more like “good enough for now” or “well the viewer will understand this image just enough I hope.”

I hope that in this particular image process that I’m about to share, the viewer will understand the story of Hello Robot in one image.

The story of Hello Robot is very incomplete. I have the images but I can’t seem to get the manuscript “just right” or even “good enough for now” because the reader wont understand the story just enough. Words just can’t describe the way I feel about Hello Robot so maybe light and emotion will.

I’ll start you off by introducing Hello Robot, or Bucket, here.

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My process for a completed image always begins with character development. I need to know the character before I can accurately create an image of them. Getting to know the character is the longest part of the process, I mean it takes a while to get to know someone properly, right?

Now on to the image which I hope the viewer will understand that is the peak show of character for Bucket here. I first start with a thumbnail and then a detailed sketch like this:

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Here I don’t have the lighting quite right but I have the shapes down. The lighting is very important for the entire story but especially this image. You might be able to see why in a bit.

I’ll go on to several color sketches. Depending on the final product, if I work traditionally then I’ll do digital sketches, if I work digitally I’ll do traditional color sketches like these.

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I’m starting to figure it out in the first color sketch and by the second sketch I know what I have to do in order for the emotion and the light to bring about proof of character and peak story arch.

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Here I’m finally on the digital. This image is about half way, but I can see the light at the end of the tunnel. I did not track all my process with the digital piece. I never do! Maybe I should do this is the future.

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And there you have it, the final! Okay so I went on about light and emotion and stuff for a bit. Light to me can have a bunch of different meanings but the core meaning for me is spiritual. Here Bucket is leaving the light from below to explore the darkness above, an attic. He must do this to complete his exploration of the house to find someone to say “Hello” to that will say “Hello” back. He doesn’t find a hello in the darkness but he does find something else.

Sounds kind of spooky when I put it that way.

Do you understand his emotion? Do you get the “well the viewer will understand this image just enough I hope.”

Hello Robot is a whole story about exploring shadows and saving light sources. but...28_29.jpgUGGGGG 14.jpegbw5 copy 2.jpgcomplete? copy 2.jpg

 

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The Eyebrow Lift in Art

What was that?

How did this happen?

What are you doing?

Why am I doing this?

What’s going on?

Where do I go?

What now?

The more I create artwork intended for kids the more I notice certain trends in my work. Among these trends is the slight eyebrow lift (well, the unbalance of eyebrow) my characters wear on their faces.

Why do I do this?

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Self portrait, why do I do this?

Well first of all children’s book characters NEED life, personality, exaggeration and, to put it simply, CHARACTER. For me this means to immediately draw an eyebrow lift as the eyebrow lift is an indication of question, wonder, skepticism, humor. It can mean a lot of different things depending on the situation of the story…

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The eyebrow lift can be a conversation with another character, a communication tool with just a look.

1.jpg                 Or the eyebrow lift can be a silent, personal contemplation of the next step in the story. “What should I do now” or “Where do I go from here?”

Even a grim realization that has no questioning can be made clear with a subtle lift of the eyebrow.

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Here  “It” comes…

 

 

 

 

 

 

 

Or BOTH characters can communicate with eyebrow lift to show silent humor  conversation.

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Some might ask, “Why just focus on the eyebrow lift? There are other facial expressions that can speak without words too you know…”

Of course! And that’s another reason why I love children’s book illustrations is because of the facial expressions. The reason why I focus on the eyebrow lift is because of it’s unbalanced structure and it’s questioning. Kids at their core are curious and representing that curiosity with the slightest mark is beautiful.

In a way the eyebrow lift is a peek into my illustrator personality. Some artists are known for their color or light or maybe excellent drawing skills. Others might be known for their chosen topics. Character facial features is another indicator of style and I would love to gather all the illustrators that I know and love and research which illustrators use facial features as a unique indication of style as well.

For now, I’m simply pointing out trends in my artwork that I can latch onto and understand how I can make my work my own.

So… see you later? I guess?

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