Commission Mission

I’ve had four commissions this month! Yippee!

However not all of them were children’s book related, actually most of them were NOT so I won’t post them on here. I will however post the ones that I do think might relate to children’s books.

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This one unfortunately didn’t work out, but I did like working on the image.

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This is a WIP and wasn’t intended for a PB, however it looks very middle grade I believe. Who knows! I could illustrate a middle grade one day.

Last month AND this month were both pretty busy! I should start writing reviews again, I did read just about fifty picture books last month haha. Plenty to write about!

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I Had to Pick from a Hat

Does anyone ever have that problem where you have a lot of ideas but don’t know which ones are good or worthwhile?

I’ve been having that problem for about five months now…and it’s really slowed down my work! What to do?

So I wrote the ideas down on little pieces of paper, threw em in a hat, and picked. Yup, let fate decide!

Fate decided that The Hungry Witch Mabel was the one to work on. I already had character designs, a manuscript, and colored pieces as a separate portfolio builder project…I just need the dummy.

I probably should’ve been editing this one all along.

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The Push Pull

I’ve had several different painting professors in the past, all very different people with incredibly different styles and techniques. The one thing that they did have in common was the “push/pull” concept within a painting.

What the “push/pull” concept is is the use of color or texture, or perhaps how much paint painted in an area on the image’s surface, to “push” certain shapes of the composition to the back and “pull” the most important shapes to the front.

This idea is pretty darn basic, but it is this push/pull of abstract artists that I’m most inspired by and believe I’m beginning to think by this rule as I work on the creative surface.

Hans Hofmann is the first artist I think of that uses this technique very well and in fact does a trick on the eyes of constant push/pull movement throughout all his pieces. Marc Chagall is another artist, though different and not necessarily abstract, who used color and shape to move the eye and depended on these two elements to tell his strange, dreamlike stories.

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The illustrator of Firefly Mountain, Peter Sylvada, also does this with colors and shapes. This one in particular reminds me of Eyvind Earle.

 

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And this little gem, The Bear Ate Your Sandwich by Julia Sarcone-Roach, also has a great push/pull abstraction with color, light, and shape that I’m inspired by. That bear is behind the bench, and the bench is clearly in front of the bear, however the two fight back and forth to see who can draw the eye the most and be priority of the composition. It’s wonderful.

Mike Mignola  is another favorite artist of mine who does this.

 

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Now I definitely do NOT have the skills of these artists, but I can’t help but notice and enjoy the push/pull the acrylic and digital paint provide. Sure I use color to push some shapes back and pull some shapes forward, but it’s the texture that I’m using with the push/pull in mind.

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Another push/pull I’m finding in my work is the almost sfumato style of making certain pieces of the image more focused, usually what is in the foreground for the viewer, and blurring the background. No, I don’t think I took this from Leonardo da Vinci, I simply can see better up close than far away. My daily vision is this kind of push/pull and I would not have noticed that without going back to the Stitching Butterflies pieces.

Looking Back at Stitching Butterflies

Stitching Butterflies was the third manuscript that I had made into a book dummy, illustrated “finalized” images, and intended to send it out to…someone… in hopes that it would eventually become published.

The “finalized” illustrations for this dummy happened to get critiqued on Take a Look Sunday on Kathy Temean’s blog that I’ve been intending to post on here.

Well, it wasn’t the best critique to have to go through but…I’ve had so much worse! It was actually encouraging because I knew what I needed to work on.

I had found a focus that I could spend my time and energy on, which was to make things more clear, work on my drawing for this and future projects, and to study how to make an illustration look more “professional”…I still don’t know what exactly “professional” really entails haha.

In the end I just need to pay attention to making my work look actually good! uhhbrighter copy 2.jpgalittleoutline copy.jpgstellaoutlined1 copy.jpg

These are STILL not finished the way that had I envisioned and I don’t even know if this is how one is supposed learn about themselves and their art,  but I did realize what I wanted out of a acrylic and digital mixed media style which I’ll post about tomorrow along with a review. 🙂